Showing posts with label healthcare. Show all posts
Showing posts with label healthcare. Show all posts

Monday, March 22, 2010

Health care reform passes-fear strikes out

Nobel Prize winning economist and New York Times columnist Paul Krugman writes:

The House has passed the Senate version of health reform, and an improved version will be achieved through reconciliation.

This is, of course, a political victory for President Obama, and a triumph for Nancy Pelosi, the House speaker. But it is also a victory for America’s soul. In the end, a vicious, unprincipled fear offensive failed to block reform. This time, fear struck out.

The column is linked.

Friday, November 9, 2007

Paul Krugman refutes healthcare excuses and lies

In his New York Times Column today, Paul Krugman writes:

The United States spends far more on health care per person than any other nation. Yet we have lower life expectancy than most other rich countries. Furthermore, every other advanced country provides all its citizens with health insurance; only in America is a large fraction of the population uninsured or underinsured.

You might think that these facts would make the case for major reform of America’s health care system — reform that would involve, among other things, learning from other countries’ experience — irrefutable. Instead, however, apologists for the status quo offer a barrage of excuses for our system’s miserable performance.

Krugman devotes the rest of today's column to refuting these excuses, exaggerations and outright lies which have left 47 million American without health care.

Lies? Yes....Lies.

In an earlier Column Krugman had asked why journalists aren't questioning Republican candidate Rudy Giuliani's character after Giuliana lied about prostate cancer survival rates in Britain in an effort to discredit universal health care.

Krugman shows that a man’s chance of dying from prostate cancer is about the same in Britain as it is in America and concludes: So Mr. Giuliani’s supposed killer statistic about the defects of “socialized medicine” is entirely false. In fact, there’s very little evidence that Americans get better health care than the British, which is amazing given the fact that Britain spends only 41 percent as much on health care per person as we do.

You can read that column here.

Sunday, September 23, 2007

Heathcare Savings Accounts: a non-solution

Forty-seven million Americans do not have healthcare.

Since 2001, the number of people without insurance has increased by 7.2 million, while the percent of the population getting health insurance though their employer has dropped, falling again last year to 59.7% from 60.2% in 2005.

More and more citizens are being priced out of the healthcare market place.

Nationally, healthcare and pharmaceutical costs have skyrocketed, almost doubling since 2000. And in Wisconsin, healthcare costs are 26% higher than the national average!

In response to this classic case of market failure, President Bush and his fellow ideologues in the Republican Party have called for a market solution-health care savings accounts.

If our privatized system is failing, why would any reasonable person think that more privatization-private savings accounts- will solve the problem?

Citizen Action has produced a hilarious cartoon on the market fundamentalists non-solution.


Sunday, June 24, 2007

Sicko (and Michael Moore) Save a Family's Home. Info. on the Midcoast Premiere



The Wisconsin Federation of Nurses and Health Professionals

and

the Wisconsin State AFL-CIO

Invite You to attend the Milwaukee Premiere of

Michael Moore's new movie "Sicko"

Friday, June 29th at 6:30 p.m.

Oriental Theater, 2330 N. Farwell Avenue

Call 414-475-6065 to get a free ticket for you and a guest

Thursday, June 21, 2007

Michael Moore's "Sicko" Opens Soon, Frames Upcoming Elections!

Michael Moore's latest film, "Sicko," is a scathing indictment of the costly and ineffective American healthcare system. It is also, by most accounts, his best, most sophisticated film.

Just as Fahrenheit 9/11 used humor and pathos to raise critical questions about the U.S. occupation of Iraq, "Sicko" promises to do the same for the U.S. system of private medical insurance.



In the film Moore asks how can the richest country in the world allow 45 million of its citizens to go without healthcare? And why does our healthcare system perform so poorly (it is ranked 37th just ahead of Slovenia) when we spend more money (16% of our total GDP) on healthcare than any nation on earth?

The film critic, A O Scott, writes in a very favorable review in the New York Times (May 22, 2007) that "Sicko:”

"...contends that the American system of private medical insurance is a disaster, and that a state-run system, such as exists nearly everywhere else in the industrialized world, would be better. This argument is illustrated with anecdotes and statistics — terrible stories about Americans denied medical care or forced into bankruptcy to pay for it; grim actuarial data about life expectancy and infant mortality; damning tallies of dollars donated to political campaigns — but it is grounded in a basic philosophical assumption about the proper relationship between a government and its citizens.

Mr. Moore has ...never before made a film that stated his bedrock ideological principles so clearly and accessibly. His earlier films have been morality tales, populated by victims and villains, with himself as the dogged go-between, nodding in sympathy with the downtrodden and then marching off to beard the bad guys in their dens of power and privilege. This method can pay off in prankish comedy or emotional intensity — like any showman, Mr. Moore wants you to laugh and cry — but it can also feel manipulative and simplistic.

In “Sicko,” however, he refrains from hunting down the C.E.O.’s of insurance companies, or from hinting at dark conspiracies against the sick. Concentrating on Americans who have insurance (after a witty, troubling acknowledgment of the millions who don’t), Mr. Moore talks to people who have been ensnared, sometimes fatally, in a for-profit bureaucracy and also to people who have made their livings within the system. The testimony is poignant and also infuriating, and none of it is likely to be surprising to anyone, Republican or Democrat, who has tried to see an out-of-plan specialist or dispute a payment.

If you listen to what the leaders of both political parties are saying, it seems unlikely that the diagnosis offered by “Sicko” will be contested. I haven’t heard many speeches lately boasting about how well our health care system works. In this sense “Sicko” is the least controversial and most broadly appealing of Mr. Moore’s movies. (It is also, perhaps improbably, the funniest and the most tightly edited.) The argument it inspires will mainly be about the nature of the cure, and it is here that Mr. Moore’s contribution will be most provocative and also, therefore, most useful.

“Sicko” is not a fine-grained analysis of policy alternatives... This film presents, instead, a simple compare-and-contrast exercise. Here is our way, and here is another way, variously applied in Canada, France, Britain and yes, Cuba. The salient difference is that, in those countries, where much of the second half of “Sicko” takes place, the state provides free medical care.

With evident glee (and a bit of theatrical faux-naïveté) Mr. Moore sets out to challenge some widely held American notions about socialized medicine. He finds that British doctors are happy and well paid, that Canadians don’t have to wait very long in emergency rooms, and that the French are not taxed into penury...

Yes, the utopian picture of France in “Sicko” may be overstated, but show me the filmmaker — especially a two-time Cannes prizewinner — who isn’t a Francophile of one kind or another. Mr. Moore’s funny valentine to a country where the government will send someone to a new mother’s house to do laundry and make carrot soup turns out to be as central to his purpose as his chat with Tony Benn, an old lion of Old Labor in Britain. Mr. Benn reads from a pamphlet announcing the creation of the British National Health Service in 1948, and explains it not as an instance of state paternalism but as a triumph of democracy.





More precisely, of social democracy, a phrase that has long seemed foreign to the American political lexicon... Mr. Moore is less interested in tracing the history of American exceptionalism than in opposing it. He wants us to be more like everybody else. When he plaintively asks, “Who are we?,” he is not really wondering why our traditions of neighborliness and generosity have not found political expression in an expansive system of social welfare. He is insisting that such a system should exist, and also, rather ingeniously, daring his critics to explain why it shouldn’t.

Helathcare reform has emerged as a key political issue in Wisconsin. Robert Kraig, communications and program director for Wisconsin Citizen Action noted: "In the 2006 elections the people of Wisconsin sent the Legislature an overwhelming mandate for genuine health care reform. Local advisory referendums throughout the state asking the Legislature to guarantee health care coverage and reduce costs passed by an astounding average of 83 to 17 percent. Last year's controversial defeat of a bill that would have given the Legislature a deadline to enact real health care reform became the top issue in pivotal state Senate and state Assembly races. It led to progressives gaining control of the Senate, and helped to elect to the State Assembly the largest progressive freshman class in over three decades elections."

It is widely anticipate that in the next few weeks the Senate Democrats led by Senate Majority leader, Judy Robson, a nurse, will add universal healthcare to this year's state budget, expanding on Governor Doyle's initiative, Badgercare Plus, that would provide healthcare coverage to all of the state's children.

"Sicko" is more than an entertaining film. It is a major political event that will help shape the 2008 elections.

The film opens in New York City tomorrow and nationally on June 29. It opens in Milwaukee on the 29th at the Oriental Theatre.